Interview with Mr. Chun-Ping Lee Interview with Mr. Chun-Ping Lee

Since  

one  

of  

our  

major  

goals  

is  

to  

preserve  

and  

promote  

tra

-

ditional  

Chinese  

music,  

we  

play  

many  

classic  

works.  

  

In  

ad

-

dition,  

we  

also  

play  

several  

modern  

works,  

including  

my

own  

creations.  

  

We  

arrange  

these  

various  

types  

of  

works

carefully  

to  

make  

the  

concert  

more  

interesting  

and  

educa

-

tional.  And maybe the classic can be the new fashion.

Q8: What types of musical works do you usually play?

 

This  

is  

the  

question  

that  

I  

keep  

asking  

myself.  

As  

a  

local

orchestra,  

we  

have  

to  

prove  

our  

value  

by  

projecting  

a  

posi

-

tive  

impression  

and  

making  

a  

real  

contribution  

to  

the  

local

community.  

  

We  

seize  

every  

opportunity  

to  

put  

on  

our  

per

-

formance.  

  

And  

we  

need  

people  

to  

be  

interested  

and  

in

-

volved  

in  

this  

industry.  

  

That's  

why  

we  

have  

made  

great

efforts  

to  

promote  

music  

education  

in  

elementary  

and  

ju

-

nior  

high  

schools.  

  

I  

am  

totally  

aware  

that  

Miaoli  

is  

not  

a

big  

city  

and  

we  

may  

not  

receive  

much  

financial  

support.  

 

But  

once  

we  

have  

a  

very  

talented  

and  

outstanding  

orchestra

with  

a  

solid  

music  

educational  

system,  

local  

people  

may  

be

more  

willing  

to  

join  

in  

musical  

events.  

  

They  

may  

come  

to

our  

concerts,  

they  

may  

become  

curious  

about  

music,  

and

they  

may  

even  

want  

to  

participate  

in  

our  

performing  

activi

-

ties.  

  

These  

years,  

I  

have  

been  

working  

hard  

to  

compose

more  

works  

based  

on  

Hakka  

culture.  

  

My  

fellow  

people  

in

Miaoli  

would  

find  

these  

Hakka  

works  

really  

intimate  

and

familiar.  

  

Furthermore,  

I  

would  

like  

people  

who  

are  

not  

so

familiar  

with  

Hakka  

culture  

to  

learn  

to  

appreciate  

and  

even

be  

amazed  

at  

our  

culture.  

  

I  

dare  

not  

say  

we  

can  

be  

the

Pride  

of  

Miaoli,  

but  

we  

are  

definitely  

working  

on  

it  

all  

the

time.  

  

And  

I  

believe,  

in  

the  

future,  

whoever  

takes  

over  

the

orchestra will keep this faith in mind.

What do you think about the future development of the

Chinese orchestra in Miaoli?

We  

were  

all  

very  

excited  

about  

this  

precious  

opportunity

since  

it  

was  

our  

first  

time  

to  

perform  

abroad.  

  

During  

the

art  

festival,  

we  

put  

on  

a  

performance  

and  

did  

quite  

a  

good

job.   

  

We   

also   

had   

the   

great   

chance   

to   

appreciate   

other

bands   

or   

orchestras’   

excellent   

performance.   

The   

artists

there  

were  

very  

talented  

and  

friendly.  

 

We  

were  

truly  

grate

-

ful  

and  

honored  

to  

be  

invited  

to  

such  

a  

great  

musical  

event.  

 

It was really a memorable experience to us.

What  

do  

you  

think  

about  

the  

performance  

of  

Miaoli  

Youth

Chinese Orchestra in Singapore a few years ago?

Well,  

not  

really.  

  

Before  

we  

set  

off  

to  

Singapore,  

we  

spent

much  

time  

practicing,  

trying  

our  

best  

to  

make  

it  

perfect.  

 

Some  

orchestra  

members  

might  

feel  

a  

little  

nervous,  

but

our  

performance  

was  

relatively  

impressive.  

  

Many  

profes

-

sional  

musicians  

from  

other  

countries,  

including  

the  

con

-

ductor  

of  

Singapore  

Chinese  

Orchestra,  

were  

all  

amazed  

at

how well these young musicians could play.

For an amateur youth orchestra, did performing on such an 

international stage lead to great pressure?

When  

I  

began  

to  

instruct  

the  

orchestra  

in  

a  

younger  

age,  

I

was  

very  

strict  

and  

highly  

demanding.  

I  

always  

told  

my  

stu

-

dents  

that  

if  

I  

could  

do  

it,  

they  

should  

be  

able  

to  

do  

it.  

  

The

students  

were  

under  

great  

pressure.  

  

However,  

once  

they

broke  

through  

the  

bottleneck,  

they  

could  

be  

very  

outstand

-

ing.  

  

In  

recent  

years,  

I  

have  

begun  

to  

teach  

my  

students  

in  

a

milder  

way.  

  

But  

I  

still  

encourage  

them  

to  

honestly  

face

their  

frustration  

and  

improve  

themselves  

constantly.  

  

I  

want

them  

to  

realize  

that  

as  

long  

as  

they  

don’t  

give  

up,  

they  

will

enjoy the sweet fruit of their efforts someday.

Would you please share with us how you lead the orchestra?

No, definitely not.  At that time, few people, especially young people, were interested in traditional Chinese music.  And that is what motivated me to come back home.  I intend to create a proper environment for children to learn more about music or any other form of art.  It can be a great pity if the children in my hometown have no access to music. Q1:          Before you finished your college education  and came back  to Miaoli, was Chinese music very popular back then? Lee: Lee:   Yes. In recent years, several students of mine decided to come back to Miaoli.This is one of the reasons why I gradually set up more bands or orchestras. Besides creating a music-friendly environment, I also have to offer them job opportunities.  In this way, they can completely devote themselves to music without being worried about their daily bread. You have been instructing so many students at school and inseveral orchestras. Did any of them come back to assist you in teaching Chinese music? Q2:

When  

you  

retire  

in  

the  

future,  

will  

you  

have  

any  

successor

topass on your torch?

In  

fact,  

there  

are  

already  

several  

candidates.  

  

They  

all  

have

strong   

passion   

for   

music   

and   

eager   

to   

promote   

Chinese

music  

in  

Miaoli.

They  

are  

also  

aware  

that  

they  

have  

to  

raise

more  

young  

musicians  

so  

that  

they  

would  

have  

more  

sup

-

port  

as  

well  

as  

assistance.  

  

I  

believe,  

in  

the  

near  

future,  

they

will  

definitely  

do  

a  

much  

better  

job  

and  

make  

a  

greater

contribution.

Lee:

Q3:

Q4:  

 

Such  

doubt  

or  

concern  

appears  

constantly.  

  

However,  

I  

al

-

ways   

assure   

these   

parents   

that   

they   

don’t   

have   

to   

worry

about  

that.  

 

When  

my  

students  

learn  

to  

play  

music,  

they  

have

to  

be  

brave  

to  

face  

so  

many  

difficulties.  

  

They  

need  

to  

con

-

centrate  

and  

listen  

to  

others  

very  

carefully.  

  

They  

also  

have

to  

make  

the  

best  

use  

of  

their  

time  

to  

accomplish  

various

tasks  

simultaneously.  

  

All  

these  

abilities  

they  

have  

learned

from  

music  

are  

exactly  

what  

they  

may  

apply  

to  

their  

school

studies.  

 

Actually,  

most  

of  

my  

students  

have  

done  

quite  

well

on  

school  

exams.  

 

And  

their  

parents,  

instead  

of  

keeping  

their

children  

away  

from  

music,  

would  

encourage  

them  

to  

partici

-

pate in more extracurricular activities.

As  

you  

established  

Miaoli  

Youth  

Chinese  

Orchestra,  

were

-

any  

of  

the  

  

parents  

concerned  

that  

regular  

practice  

might

have negative influence on their children’s studies?

Lee:

Q5:

Lee:

Q6:

Lee:

Q7:

Lee:

Lee:

Q9:

 

Lee: