4.國畫

 

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Traditional Chinese Paintings

 

1. Civil Officials’ Portrait


Officials’ portraits in Ming and Qing Dynasties are the representative of officialdom culture of that period and the embodiment of Chinese high-quality ethics, which reserve the appearance portrait and inherited particularity of Chinese officials before and after the invention of camera and supplement the insufficiency of substantial hand-on to manifest the high-degree beauty of Chinese material culture.

Q. With regard to civil Officials’ portrait, I’d like to consult the curator “who were the ancient famous civil officials?”
    A. The civil officials include Wen Tianxiang and Qu Yuan, etc. Officials’ portraits are arranged as “the upper are those of Ming Dynasty, while, the lower are those of Qing Dynasty” (there was no camera in ancient time, thus charcoal drawing was used to draw the persons vividly, wherever you go, the eyes of persons in the picture will follows you, just like alive persons, which is very lifelike!)

 

This figure is Legend of the Mountain, the author of which is Chiao Ping-chen

This figure is Double Eagle, the author of which is Chiang His-ting.

This figure is Gold-foil Landscape Painting, the author of which is Yi Wang.

(This figure is the Portrait of Bodhisattva, where, the large-size one is the full figure and the left four small-size ones are the partial enlarged detail of the Portrait of Bodhisattva, which is the work in the Late Song Dynasty and the Early Ming Dynasty. When the emperors in ancient time worshiped the Buddha in Buddhist prayer room [hall], this portrait was hung over the Buddha hall, just behind the statue of Buddha, which manifested its nobleness).

Source: Lujhou City The Forbidden City Museum

 


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