"In 1998, there were less than 20 Taiwan films. In 2001, only 11 until October. In 2006, Taiwan's film market share is only 1.62%. "

In a demanding market environment, Huang’s most direct impact on Taiwan's film, of course, is the high quality works. From 1995 to 2011, Huang involved in the production of more than more than 15 movies: with a big budget or a small cost, commercially oriented or artistic style.
The Arrow Cinematic Gourp general manager Tian-gui Lin said: "Mr. Huang is a very important role to promote Taiwan's film production. He survived the hard time, and created a new wave with “Cape No. 7”in 2008. "

Influence I : Breakthrough

Movie style breakthrough by introducing foreign capital and technical team in Taiwan film industry.
Here are three important works.
　

Best box office film-"Double Vision" (2002)
Crew     (Source : Taiwan Cinema) Producer : Jimmy Huang Director : Kuo-fu Chen Screenplay : Kuo-fu Chen, Chao-Bin Su Planning : Te-sheng Wei Special makeup : M.E.G. Company (Australia) Fine Art : Tim Yip (Hong Kong) Budget : about $ 200 million NT dollars Box office : about 800 billion NT dollars (2002 the best box office film in Taiwan)
(Source : Sohu, www.quacor.com)	Characteristics and Impact
	For a long time, Taiwan's film industry has been known around the world to produce niche and artistic movies critics love. "Double Vision" tried to break down the idea, and took Taiwan film to an unprecedented new level, creating a new possibility. It was funded by Sony Columbia Pictures, a budget of up to 7 million U.S. dollars (about 200 million NT dollars). The production team came from all over the world, and the movie was shot in Taiwan. It was a big production for the domestic film industry in 2002. Huang said that when he saw the original screenplay by Chao-Bin Su, he wanted to cooperate with foreign film company. He contact Sony Columbia Pictures in 2000, got Kuo-fu Chen to be the co-producer and the "artistic director". Another major breakthrough of "Double Vision" was trying to entertain the audience. As the screenwriter said, "We just want to shoot an entertainment piece." For the depression of the domestic film market, a business-oriented “thriller” was the boldest attempt since the 1990s.

　

The birth of a new style: "Silk" (2006)
Crew     (Source : Taiwan Cinema) Producer : Jimmy Huang Director, screenwriter : Chao Pin Su Photography : Arthur Wong Art and Design : Taneda Youhei (Japan) Cutter : Jiahui Zhang Music : Peter Kam Special makeup : M.E.G. Company (Australia), Effects & animation : Sing Choong Foo Budget : about $ 200 million NT dollars Box office : about 50 million dollars (2006 the best box office film in Taiwan)
Director : Chao Pin Su  (Source : Taiwan Cinema) 　 (Source : Taiwan Cinema)	Characteristics and Impact
	The budget of thriller "Silk" was NT $ 200 million. Its goal was clear—A Hollywood-type movie, popular thriller, and big cast. Its commercial attempt and operation were very specific. Huang and director Su wanted to borrow the successful experience of the "Double Vision". If "Double Vision" was a test of the mainstream commercial market, "Silk" was a whole new style of film. For the subject matter, it combined the oriental view of soul and a scientific point of view. It spent a lot in production: "Kill Bill" cameraman Arthur Wong, and the animation effects of "Spider-Man" series by Sing Choong Foo. "Silk" was not able to compete with Hollywood films in the annual box office. It was important for Taiwan's movie industry.

　

A miracle-“Cape No.7"(2008)
Crew     (Source : Taiwan Cinema) Producer : Jimmy Huang Director, screenwriter : Te-sheng Wei Cameraman : Qin-ding Chang Soundtrack : Shengfei Lv Budget : about NT $ 50 million Box office : about NT $ 530 million (box-office record of Taiwan film history)
Director : Te-sheng Wei 　 　 (Source : Wikipedia Taiwan)	Characteristics and Impact
	"Cape No. 7" cost NT $ 50 million. Jimmy said that from time to time they faced the funding shortage. Responsible for the management and control budget, he had pressure as much as the director, who was in a mortgage debt. In Hengchun, they owed 170 thousand for lunchboxes. Jimmy said that he kept saying "there will be money". "Cape No.7" was a rare big production film in recent years, but it did not spend on promotion. It was promoted through blogs and word of mouth, regarded as a Taiwan Film miracle. On 12 December 2008, the official total box office was $ 530 million. In the eyes of many filmmakers, "Cape" is a symbol of mature domestic market. It still has a great potential. "The biggest value of Cape is that it serves as the largest support of Taiwan's film industry. Let everyone know that we can achieve that," said veteran actor and director Leon Dai. "A few years before, we've tried everything, but in vain. Liberation in last year (2008) had good results," Te-sheng Wei casually said. Therefore, we can say that Jimmy Huang, Te-sheng Wei, and a lot of good filmmakers continue to try new themes, novelty and change, and the pursuit of a perfect creation for the audience. This atmosphere gave birth to the "Cape". "Cape" marked a unique touchstone between the past and future. Its successful experience opened a new path for "Monga" (2010) and "chicken steak Hero" (2011).

Influence II: Talents

Huang nurtures many talents and brings a big impact. The list in chronological order is below:

Yeat 2001 2002 2002 2004 2008 2011 Movie 《Love elixir》 《Taipei Twenty Something》 《Double Vision》 《Silk》 《Cape No. 7》 《Seediq Bale》 Duties Producer: Jimmy Huang Director/screenplay: Michael Wong Producer: Jimmy Huang Director: Michael Wong Producer: Jimmy Huang Planning: Te-sheng Wei screenplay: Michael Wong Producer: Jimmy Huang Director/screenplay: Michael Wong Producer: Jimmy Huang Director/screenplay: Te-sheng Wei Producer: Jimmy Huang Director/screenplay: Te-sheng Wei

Michael Wong
(Source: Yule entertainment website)	His two scripts “Want to die now" and "The Cabbie" are popular in the domestic film industry film industry. 4 out of 7 of his scripts are produced by Jimmy Huang. His first work "love elixir” was produced by Huang. Huang has mentioned more than once that Su is a genius. With Huang’s faith in "Double Vision" and "Silk", these two films are big successes in Taiwan film history.

　

Te-sheng Wei

(Source: Liberty Times reporter Zhen-Hui Liao)

Wei had close relations with Huang. In 2000, Wei completed the screenplay of "Seediq Bale", and won the "excellent screenplay prize” of Taiwan Government Information Office. He raised two million to shoot the trailer of Seediq Bale, but the domestic film market was still unable to hold up the epic. In 2002, Wei was responsible for planning and studyboard in"Double Vision." In 2008, Wei earned fame and fortune by "Cape No. 7", but he did not give up the unfinished dream. Huang and Wei invested the total profit of Cape into "Seediq Bale" with the additional $ 500 million. They worked together through challenges.

　

Ren-hao Xu

Senior Producer Ren-hao Xu said, "in the film industry, it is apprenticeship to pass experience from generation to generation" and "You're always looking for people you like to work together and to grow together. He quit the job in advertising to the film industry 10 years ago. His first film was to participate in the "Double Vision" production, and he has been followed Huang since then. Huang is his teacher, friend, and old partner. (Note: Xu is the producer of "Monkey King", a cost of $ 0.9 billion.)

Huang works and grow together with these like-minded partners all the way, and nurtures many talents for Taiwan's film industry.