Background  Work Experience  Interview  What others say about him



In the Chinese new year of 2011, we interviewed Jimmy Huang with this rare opportunity in the Historical Room of Erhlin Library.
We began with Curator Mr. Wei’s introduction of Erhlin Humanities and Cultural History, and then Jimmy Huang said many interesting things in his childhood. In an atmosphere of joy, we had a deeper understanding of Jimmy.

     


In Taichung First Senior High School, he wore flops to bookstores.
Producer Jimmy Huang said, “I was poor and vulgar, wearing slippers and underwear to bookstores." He stood there to read Sartre and Camus. It is impossible for us! He felt happy when reading. He said, "Because we are living in this world. Feel the world with your hearts, and you’ll know what you like."

The president of Society was arrested
Jimmy studied in the Department of Foreign Languages of Tunghai University. At that time, he joined a very interesting society --the Dongfeng society. Poet Mu Yang and the Formosa magazine editor Chung-Hsin Chen also joined this society. The editor’s word in "Formosa magazine" was written by the chief editor, Chung-Hsin Chen, but the printed name was "Chun-hung Chang”. Society president Chung-Hsin Chen believed that intellectuals had social responsibility, but he was regarded as a black sheep in the martial law era. Later, he was arrested along with Fu-Chung Chang. These two were detained together in a Formosa magazine photo. This event affected Jimmy Huang, who took over the job of president when he was a sophomore.

Engage in Arts
It was not easy to watch movie, so they went to education institution or cultural centers to borrow blurry classic movies of masters, such as, Bergman, Bunuel, and others. They often played these films in the school, even after graduation.
At that time, societies were prohibited from not politics, so Jimmy engaged in arts. They had cultural salons to discuss films after watching. Only intellectuals watched movies. Jimmy Huang was affected and understood movie than others.

Took four hours of military training course because of being Dongfeng president
Jimmy Huang studied in the Tokai University from 1982 to 1986, but the martial law in Taiwan was lifted in 1987. Dongfeng society often invited some intellectuals to give speeches, so it was regarded as the "rebel party". Therefore, Jimmy Huang was often summoned to instructors’ office, and took four hours of military training course when others took two hours. School instructors often spent two hours talking to Jimmy individually, and asked if he was engaged in rebel activities.
Jimmy Huang became president of the society when he was a sophomore, because the former one was arrested. He also wrote an editorial, which caused problems, and he almost could not graduate.

Starting from the politics
After graduation, Jimmy Huang did not know what to do for a half year. Graduated from Department of Foreign Languages, he did not want to be an English secretary. After the lifting of martial law, Jimmy Huang began to engage in the student movement, even earlier than Wen-Jia Luo. Jimmy’s first work was an assistant of Legislator Rong-shu Xu. He said, "the society was changed and open." Thus, Jimmy wanted to change his career plan.

An encounter with “A City of Sadness”
Once, he visited Jiufen and Chinkuashih and saw a handsome actor. Later, he learned that the man was Tony Chiu Wai Leung. That movie is "A City of Sadness." A friend told him, "there is a job of watching movies with pay." He carried and played film copies in the Golden Horse Awards.

From the Influence magazine to Central Pictures
After the Golden Horse Awards, Jimmy Huang joined the "Influence" magazine, to write the film's thematic topics. He started to get the whole picture of movie. During this period, he knew the director of "Double Vision," Kuo-fu Chen, who used to be the "Influence" magazine's editor-in-chief. Although the magazine sold well, it closed down because the conflict of business beliefs. Jimmy joined Central Pictures to read scripts and write reports, and he watched a lot of classic black-and-white movies.
He got acquaintances with director Ming-liang Tsai, Kuo-fu Chen, Chin-yen Yee, Cheng-sheng Lin, Xiao-Li Wang, and so on. Later, Ming-liang Tsai and Jimmy Huang cooperated on "Vive L'Amour." Jimmy Huang has been committed to the work of producer.

The runway in life, not too late before thirty years old
Jimmy Huang was very humble and told us: "I am not good enough. You still have time to choose in 30s. I feel that I have no difference with others." Jimmy Huang worked happily in Central Pictures. Among 400-500 people, Jimmy Huang was late for work all the time. Only director was later than he. The one better than he was the computer programmer (accounting system). However, three people had a great contribution to the company.

Making a movie is like selling pre-sale house
Mr. Huang said, "film is really burning money.” "Burning money" is the common-used term in the movie industry. Jimmy said, "Making a movie is like selling pre-sale house, meaning that I have to solicit investment. If you need 16 million, you can start shooting when you have 9 million, and then looking for investors. If the budget keeps growing, it would be a big problem for the investors."

Wish to produce a documentary film on the Erhlin sugarcane farmers Incident
In fact, Jimmy Huang had noticed the Erhlin sugarcane farmers Incident, and thought it is a great theme. It needs investors to shoot the film.

Producer's ability
The qualities for the job as a producer are: resistance to stress, communication and coordination skills, and foreign language skills.

Legacy and talents
Jimmy Huang is now looking for some young people, and wants to pass down his experience. He believes the talents must be resilient to stress, and a rare quality—having taste, because a good producer must have vision and invest in best-selling movies. In 2000, Jimmy Huang cooperated with the director Te-sheng Wei and found his talent. Jimmy Huang fully supports Director Wei’s dream of movies!

Start with “imitation”
immy Huang found that young people care too little about learning from "imitation".
"Imitation" means learning from professional techniques, for example: shoemaker, carpenter, and blacksmith, while young people like to be "masters", for example: lighting engineer and cameraman. Jimmy Huang encouraged young people to accumulate experiences for years through imitation, and then move to be masters. It needs patient to cultivate the trust of others.

Many changes are fun
We were very curious about all these things Jimmy had to deal with: different people, different scripts. Are a lot changes annoying? Jimmy Huang said, "In fact, it is fun. I learn a lot in this process, so I am relaxed to face them. I believe that there will be a way."

No time for frustration
When we asked Jimmy Huang how he deal with frustration and relieved stress, we were surprised by his replied: "There is no time for frustrating because making a film is one thing after another. Time is to be used to resolve problems." We admired him even more!

Director is like a desperate beast.
In fact, Jimmy Huang had the opportunity to be a director, but he declined. He believes that director should be a desperate beast. In the production, producers and directors will always encounter hundreds of problems: actor, scene, time, equipment, atmosphere, and so on. Sometimes they have to struggle with dreams, money, and budget. The film industry is an industry of conflicts! Directors need to have ideas and courage to decide, because the results of those decisions will affect the budget of several million dollars. That is why Jimmy Huang is not fit for a director’s job.